Nil\u00fcfer Belediyesinin d\u00fczenledi\u011fi \u201c\u00c7a\u011fda\u015f Sanat Konu\u015fmalar\u0131\u201d dizisi, \u201cResim mi Y\u00fczey Esteti\u011fi mi?\u201d s\u00f6yle\u015fisiyle ba\u015flad\u0131.<\/p>\n
Nil\u00fcfer Belediyesinin plastik sanatlara olan ilgiyi art\u0131rmak, Bursa\u2019da aktif bir sanat ortam\u0131n\u0131n olu\u015fmas\u0131na katk\u0131da bulunmak ve sanat izleyicileri ile sanat e\u011fitimi alan gen\u00e7lerin T\u00fcrkiye\u2019deki sanat \u00fcretiminin g\u00fcncel durumuna ili\u015fkin fark\u0131ndal\u0131k geli\u015ftirmelerine katk\u0131 sa\u011flamak amac\u0131yla d\u00fczenledi\u011fi \u00c7a\u011fda\u015f Sanat Konu\u015fmalar\u0131 dizisi Uluda\u011f \u00dcniversitesinin de katk\u0131lar\u0131yla ba\u015flad\u0131. Dizinin ilk s\u00f6yle\u015fisi G\u00fcm\u00fc\u015ftepe Mahallesi\u2019ndeki (Misi) Sanat \u00c7al\u0131\u015ftayevi\u2019nde ger\u00e7ekle\u015fti. \u201c\u00c7a\u011fda\u015f Sanat Konu\u015fmalar\u0131\u201d dizisinin ilk konuklar\u0131 Dr. \u00d6\u011fretim \u00dcyesi F\u0131rat Arapo\u011flu ile Sanat\u00e7\u0131 ve Akademisyen \u00c7a\u011fr\u0131 Saray oldu. Nil\u00fcfer Belediye Meclisi \u00dcyesi Nilg\u00fcn Berk, Uluda\u011f \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fc, E\u011fitim Fak\u00fcltesi Resim \u0130\u015f E\u011fitimi B\u00f6l\u00fcm\u00fc ve Zeki M\u00fcren Anadolu G\u00fczel Sanatlar Lisesi \u00f6\u011frencileri, \u00f6\u011fretmenler ve akademisyenlerin ilgiyle takip etti\u011fi s\u00f6yle\u015fide Arapo\u011flu ve Saray, hem deneyimlerini payla\u015ft\u0131 hem de farkl\u0131 sanat ak\u0131mlar\u0131 ve t\u00fcrleri hakk\u0131nda \u00f6nemli bilgiler verdi.<\/p>\n
Avrupa ve ABD merkezli sanatla T\u00fcrkiye\u2019deki \u00e7a\u011fda\u015f sanat aras\u0131nda yakla\u015f\u0131k 30 y\u0131l kadar zamansal bir farkl\u0131l\u0131k oldu\u011funu ifade eden Dr. \u00d6\u011fretim \u00dcyesi F\u0131rat Arapo\u011flu, \u201cResim ve y\u00fczey aras\u0131ndaki tart\u0131\u015fmalara \u015fahit oluruz. 1960\u2019larda yeni avangart tart\u0131\u015fmalar Bat\u0131 Avrupa merkezli ortaya \u00e7\u0131karken, biz akademide soyut resim fig\u00fcratif resim tart\u0131\u015fmalar\u0131 yapmaktayd\u0131k. Fakat 1990\u2019lar\u0131n ikinci yar\u0131s\u0131yla birlikte T\u00fcrkiye\u2019de \u2018Ressamlar m\u0131 enstalasyoncular m\u0131?\u2019 tart\u0131\u015fmas\u0131 ba\u015fl\u0131yor. \u00c7a\u011fda\u015f sanat\u0131n hem kuramsal hem pratik anlamda tart\u0131\u015f\u0131lmaya ba\u015flanmas\u0131 T\u00fcrkiye\u2019de 1990\u2019lar\u0131n ikinci yar\u0131s\u0131na denk geliyor. 2010\u2019lar\u0131n ba\u015f\u0131yla birlikte T\u00fcrkiye\u2019de tekrar resme geri d\u00f6n\u00fc\u015f tart\u0131\u015f\u0131lmaya ba\u015fland\u0131\u201d dedi.<\/p>\n
Bir sanat yap\u0131t\u0131n\u0131n i\u00e7eri\u011fi ne kadar katmanla\u015f\u0131rsa kavran\u0131\u015f\u0131n\u0131n da o kadar d\u00fc\u015fece\u011fini vurgulayan Dr. \u00d6\u011fretim \u00dcyesi F\u0131rat Arapo\u011flu, d\u00f6nemin ekonomik, siyasi ve k\u00fclt\u00fcrel ge\u00e7mi\u015fine bakmadan sanat\u0131n tan\u0131mlanamayaca\u011f\u0131n\u0131n da alt\u0131n\u0131 \u00e7izdi.<\/p>\n
Sanat tarihinin toplumsal tarihi anlatt\u0131\u011f\u0131n\u0131 belirten Sanat\u00e7\u0131 ve Akademisyen \u00c7a\u011fr\u0131 Saray da, her sanatsal hareketin, ak\u0131m\u0131n ya da medyumlar\u0131n arkas\u0131nda bir toplumsal olay\u0131n oldu\u011funu s\u00f6yledi. 1960 y\u0131llar\u0131ndan sonra son 20-30 y\u0131ll\u0131k periyot i\u00e7inde 60\u2019\u0131n \u00fczerinde yeni ak\u0131m, sanat hareketi ve e\u011filimi ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 kaydeden Saray, bunlardan baz\u0131lar\u0131n\u0131n resmi s\u00fcrekli g\u00fcndeme getirdi\u011fini s\u00f6yledi. Sanatla sermaye aras\u0131nda bir ili\u015fki oldu\u011funu ifade eden Saray, \u201cHeykel ve resim, sanat tarihinin en k\u00f6kl\u00fc disiplinlerinden olmas\u0131n\u0131n temel sebebi de sat\u0131labilir \u015feyler olmas\u0131d\u0131r. T\u00fcrkiye\u2019deki sanat tarihi de resim ve heykel \u00fczerine kuruludur. Resim mi enstalasyon mu tart\u0131\u015fmalar\u0131n\u0131n sebebi de budur. Bunlar\u0131n aras\u0131ndaki gerilim, bu co\u011frafyada neyin sat\u0131l\u0131p neyin sat\u0131lmad\u0131\u011f\u0131yla ili\u015fkili\u201d dedi.<\/p>\n
T\u00fcrkiye\u2019de ge\u00e7i\u015flerin homojen bir \u015fekilde ger\u00e7ekle\u015fmedi\u011fini belirten Saray, \u201cBize her \u015fey 1980\u2019lere, 1990\u2019lara kadar ge\u00e7 bir \u015fekilde ula\u015ft\u0131\u011f\u0131 i\u00e7in biz bir anda g\u00fcncel sanat diye bir \u015feyle kar\u015f\u0131la\u015ft\u0131k. Sanat tarihindeki ge\u00e7i\u015fler ya\u015fanmadan, dada, minimalizm, enternasyonal gibi ak\u0131m ve hareketler hi\u00e7 olu\u015fmadan birden pent\u00fcrden enstalasyonlarla kar\u015f\u0131la\u015ft\u0131k. Bizde ge\u00e7i\u015fler homojen ge\u00e7i\u015fler halinde ger\u00e7ekle\u015fmiyor. Darbeler ya da tepeden inme verilerle hareket ediyoruz\u201d diye konu\u015ftu.<\/p>\n
Sanat tarihinin sanat\u0131n kendisi gibi okulda \u00f6\u011frenilemeyece\u011fini vurgulayan \u00c7a\u011fr\u0131 Saray, \u015f\u00f6yle devam etti:<\/p>\n
\u201cSanat tarihi de asl\u0131nda T\u00fcrkiye\u2019deki toplumsal hayata \u00e7ok benzer. \u00c7o\u011fu zaman temeli yoktur ve bir anda ger\u00e7ekle\u015fir. Bir anda ger\u00e7ekle\u015fti\u011fi zaman da o co\u011frafyada ba\u015fka gerilimler ortaya \u00e7\u0131kar. Sanat tarihi okulda \u00f6\u011frenilmez. Sizin s\u00fcrekli d\u0131\u015far\u0131dan bunu beslemeniz ve tamamlaman\u0131z gerekir.\u201d<\/p>\n
S\u00f6yle\u015finin sonunda Nil\u00fcfer Belediye Meclisi \u00dcyesi Nilg\u00fcn Berk, Nil\u00fcfer Belediye Ba\u015fkan\u0131 Mustafa Bozbey ad\u0131na konuklara te\u015fekk\u00fcr etti.<\/p>\n","protected":false},"excerpt":{"rendered":"
N\u0130L\u00dcFER BELED\u0130YES\u0130\u2019N\u0130N D\u00dcZENLED\u0130\u011e\u0130 \u201c\u00c7A\u011eDA\u015e SANAT KONU\u015eMALARI\u201d D\u0130Z\u0130S\u0130, \u201cRES\u0130M M\u0130 Y\u00dcZEY ESTET\u0130\u011e\u0130 M\u0130?\u201d S\u00d6YLE\u015e\u0130S\u0130YLE BA\u015eLADI.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[2568,30546,62652,15757,706],"class_list":["post-1449520","post","type-post","status-publish","format-standard","hentry","category-kultur-sanat","tag-basladi","tag-cagdas","tag-konusmalari","tag-niluferde","tag-sanat"],"_links":{"self":[{"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1449520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1449520"}],"version-history":[{"count":0,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1449520\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1449520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1449520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1449520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}