Ge\u00e7ti\u011fimiz g\u00fcnlerde y\u00fcksek ate\u015f \u015fikayetiyle hastaneye ba\u015fvuran usta sanat\u00e7\u0131 Orhan Gencebay tedavisinin ard\u0131ndan taburcu edildi.<\/p>\n
Y\u00fcksek ate\u015f nedeniyle rahats\u0131zlanan 81 ya\u015f\u0131ndaki usta sanat\u00e7\u0131 Orhan Gencebay, ge\u00e7ti\u011fimiz g\u00fcnlerde hastaneye ba\u015fvurmu\u015ftu. Medicana Zincirlikuyu Hastanesi\u2019nde korona vir\u00fcs \u015f\u00fcphesiyle tedavi alt\u0131na al\u0131nan sanat\u00e7\u0131, tedbir ama\u00e7l\u0131 yat\u0131r\u0131lm\u0131\u015ft\u0131. Gencebay’\u0131n tedavisi tamamland\u0131. Usta sanat\u00e7\u0131, e\u015fi Sevim Emre ile birlikte arac\u0131na binerek hastaneden ayr\u0131ld\u0131.ORHAN GENCEBAY’IN HAYATI<\/p>\n
T\u00fcrk m\u00fczik d\u00fcnyas\u0131nda yediden yetmi\u015fe herkesin tan\u0131d\u0131\u011f\u0131 isimlerden biri olan Orhan Gencebay, 4 A\u011fustos 1944’te Samsun’da do\u011fdu.<\/p>\n
T\u00fcrk besteci, ses sanat\u00e7\u0131s\u0131, \u015fair, enstr\u00fcmanist, aranj\u00f6r, m\u00fczik yap\u0131mc\u0131s\u0131, m\u00fczik direkt\u00f6r\u00fc ve oyuncu Gencebay m\u00fczi\u011fe 6 ya\u015f\u0131nda, Rus konservatuvar\u0131 mezunu ve aslen K\u0131r\u0131m g\u00f6\u00e7meni eski bir opera sanat\u00e7\u0131s\u0131 olan klasik bat\u0131 m\u00fczisyeni Emin Tarak\u00e7\u0131’dan keman ve mandolin dersleri alarak ba\u015flad\u0131. 7 ya\u015f\u0131nda ba\u011flama ve T\u00fcrk halk m\u00fczi\u011fi dersleri almaya ba\u015flad\u0131. 10 ya\u015f\u0131nda ilk beste \u00e7al\u0131\u015fmas\u0131 olan Kara Ka\u015fl\u0131 Esmerdi Kim Bilir Kimi Sevdi isimli eseri yapt\u0131.<\/p>\n
\u00c7OCUKLUK YILLARINDA “K\u00dc\u00c7\u00dcK BAYRAM” D\u0130YORLARDI<\/p>\n
13 ya\u015f\u0131nda T\u00fcrk Sanat M\u00fczi\u011fi ve tambur e\u011fitimi almaya ba\u015flad\u0131. Ortaokul ve lise y\u0131llar\u0131nda Samsun, Edirne ve \u0130stanbul musiki cemiyetlerinde yayl\u0131 tambur, T\u00fcrk halk m\u00fczi\u011fi cemiyetlerinde ise ba\u011flama \u00e7ald\u0131. Samsun ve \u0130stanbul’da halk evlerinin kuruculu\u011funu yapt\u0131. Kendi a\u00e7t\u0131\u011f\u0131 m\u00fczik dershanelerinde \u00f6\u011fretmenlik yapt\u0131. \u00c7ocukluk y\u0131llar\u0131nda en \u00e7ok etkilendi\u011fi ki\u015fi zaman\u0131n\u0131n ba\u011flama \u00fcstad\u0131 Bayram Arac\u0131’yd\u0131. Gencebay’a o y\u0131llarda bu nedenle k\u00fc\u00e7\u00fck Bayram diyorlard\u0131.<\/p>\n
\u0130lk profesyonel bestesi “Ruhumda Titreyen Sonsuz Bir Alevsin”i 14 ya\u015f\u0131nda yapan Orhan Gencebay, 16 ya\u015f\u0131ndan itibaren caz ve Rock m\u00fczi\u011fi ile ilgilenmeye ba\u015flad\u0131, bat\u0131 nefesli sazlardan olu\u015fan orkestralarda tenor saksofon \u00e7ald\u0131. \u0130stanbul’a gelerek, T\u00fcrkiye’nin ilk konservatuvar\u0131 ve eski ad\u0131 D\u00e2r\u00fclelhan olan \u0130stanbul Belediye Konservatuvar\u0131’na girdi, bir s\u00fcre icra heyetinde bulundu.<\/p>\n
1964 y\u0131l\u0131nda TRT Ankara Radyosu s\u0131nav\u0131na girdi ve y\u00fcksek ba\u015far\u0131yla kazand\u0131. Fakat, s\u0131navda usuls\u00fczl\u00fck oldu\u011fu gerek\u00e7esiyle s\u0131nav iptal edilince, m\u00fczik \u00e7al\u0131\u015fmalar\u0131na ara vererek askerlik sebebiyle \u0130stanbul’a gitti. Vatani g\u00f6revini Heybeliada’da bahriyeli olarak s\u00fcrd\u00fcrd\u00fc\u011f\u00fc y\u0131llarda merasim b\u00f6l\u00fc\u011f\u00fc bandosunda saksafon \u00e7almaya devam etti. 1966’da TRT \u0130stanbul Radyosu s\u0131navlar\u0131na girdi ve iftiharla kazand\u0131. Ayn\u0131 y\u0131l, T\u00fcrkiye \u00e7ap\u0131nda yap\u0131lan ba\u011flama \u00e7alma yar\u0131\u015fmas\u0131nda Arif Sa\u011f ve Cinu\u00e7en Tanr\u0131korur ile birlikte derece ald\u0131. TRT \u0130stanbul Radyosu’nda 10 ay ba\u011flama sanat\u00e7\u0131l\u0131\u011f\u0131 yapt\u0131. Kurumun m\u00fczikal anlay\u0131\u015f\u0131n\u0131n ilerlemeye elveri\u015fli ve \u00f6zg\u00fcr olmad\u0131\u011f\u0131 gerek\u00e7esiyle 1967 y\u0131l\u0131nda kendi iste\u011fi ile ayr\u0131ld\u0131.<\/p>\n
TRT’den ayr\u0131ld\u0131ktan sonra, Arif Sa\u011f ile birlikte 1966-1968 aras\u0131 d\u00f6nemde Muzaffer Akg\u00fcn, Y\u0131ld\u0131z Tezcan,G\u00fclden Karab\u00f6cek, Ahmet Sezgin, \u015e\u00fckran Ay, Sabahat Akkiraz, Nuri Sesig\u00fczel gibi bir\u00e7ok sanat\u00e7\u0131ya ba\u011flama \u00e7ald\u0131. Bu d\u00f6nem i\u00e7inde K\u0131z\u0131l\u0131rmak Karakoyun, Ana, Kuyu gibi T\u00fcrk filmlerinin m\u00fczik direkt\u00f6rl\u00fc\u011f\u00fcn\u00fc yapt\u0131. \u0130stanbul’daki halk evlerinde Abdullah Nail Bay\u015fu, \u0130smet S\u0131ral, Burhan Tongu\u00e7, Erkin Koray, \u00d6mer Faruk Tekbilek, Vedat Y\u0131ld\u0131r\u0131mbora, \u00d6zer \u015eenay, Ne\u015fet Erta\u015f gibi sanat\u00e7\u0131larla s\u0131k s\u0131k bir araya gelip m\u00fczik yaparak gelecekte kendi ortaya koyaca\u011f\u0131 m\u00fcziksel sentezin ilk meyvelerini verdi. A\u011fl\u0131yorum Yana Yana, G\u00f6n\u00fcl ba\u011flar\u0131, Y\u0131ld\u0131z Ak\u015famdan Do\u011fars\u0131n, Neredesin Leyl\u00e2’m gibi t\u00fcrk\u00fc plaklar\u0131 \u00e7\u0131kard\u0131. Sevemedim Karag\u00f6zl\u00fcm, Sab\u0131r Ta\u015f\u0131, Goca D\u00fcnya gibi besteleri \u00e7e\u015fitli sanat\u00e7\u0131lar taraf\u0131ndan okunmaya, sanat d\u00fcnyas\u0131nda ad\u0131 besteci ve ba\u011flama virt\u00fc\u00f6z\u00fc olarak duyulmaya ba\u015fland\u0131.<\/p>\n
ORHAN GENCEBAY PLAKLARI<\/p>\n
T\u00fcrk\u00fc pl\u00e2klar\u0131ndan sonra, 1968 y\u0131l\u0131nda ilk serbest \u00e7al\u0131\u015fmalar pl\u00e2\u011f\u0131 Sensiz Bahar Ge\u00e7miyor-Ba\u015fa Gelen \u00c7ekilirmi\u015f’i \u00e7\u0131kard\u0131. Bundan sonra Topkap\u0131 Plak ve \u0130stanbul Plak’tan seri olarak plaklar \u00e7\u0131karmaya devam etti. 1969 y\u0131l\u0131nda \u00e7\u0131kard\u0131\u011f\u0131 Bir Teselli Ver-Yorgun G\u00f6zler 45’li\u011fi ile T\u00fcrkiye \u00e7ap\u0131nda \u00fcn yapt\u0131. Bestek\u00e2r ve enstr\u00fcmanist kimli\u011finin yan\u0131 s\u0131ra, yorumcu kimli\u011fi ile \u00f6n plana \u00e7\u0131kmaya ba\u015flad\u0131. Ben Eski Halimle Daha Mesuttum, Hor G\u00f6rme Garibi, Severek Ayr\u0131lal\u0131m, \u00dcmit \u015eark\u0131s\u0131, Sevenler Mesut Olmaz gibi plaklara imza att\u0131.<\/p>\n
1971 y\u0131l\u0131nda ise \u0130stanbul Plak’a ortak oldu. 1972 y\u0131l\u0131nda Ya\u015far Kekeva ile birlikte Kervan Plak \u015firketini kurdu, \u015firketin y\u00f6neticisi oldu. Kervan Plak, T\u00fcrkiye’nin ilk yerli sermayeli plak \u015firketiydi. B\u00fcnyesine Erkin Koray, Ajda Pekkan, Muazzez Abac\u0131, Mustafa Sa\u011fya\u015far, Ahmet \u00d6zhan, Kamuran Akkor, Semiha Yank\u0131, Samime Sanay, Ne\u015fe Karab\u00f6cek, Bedia Akart\u00fcrk, Nil Burak, Ziya Ta\u015fkent, Semiramis Pekkan, Ferdi \u00d6zbe\u011fen, G\u00f6n\u00fcl Yazar, Sezen Aksu gibi starlar\u0131 alan Kervan Plak, d\u00f6nemin plak piyasas\u0131n\u0131n en g\u00fc\u00e7l\u00fc \u015firketlerinden biri oldu.<\/p>\n
Orhan Gencebay, bug\u00fcne kadar 35 (31 sinema, 4 televizyon) filminde ba\u015frol oynad\u0131, 90’a yak\u0131n filmde m\u00fczik direkt\u00f6rl\u00fc\u011f\u00fc yapt\u0131. 1000’den fazla bestesi bulunan Orhan Gencebay, bunlar\u0131n 300’e yak\u0131n\u0131n\u0131 kendisi seslendirdi.<\/p>\n
Beyaz Kelebekler grubununda eski solisti olan ses sanat\u00e7\u0131s\u0131 Azize Gencebay’dan bo\u015fanan Orhan Gencebay’\u0131n Sevim Emre ile evliliklerini s\u00fcrd\u00fcr\u00fcyor.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ge\u00e7ti\u011fimiz g\u00fcnlerde y\u00fcksek ate\u015f \u015fikayetiyle hastaneye ba\u015fvuran usta sanat\u00e7\u0131 Orhan Gencebay tedavisinin ard\u0131ndan taburcu edildi. Y\u00fcksek ate\u015f nedeniyle rahats\u0131zlanan 81 ya\u015f\u0131ndaki usta sanat\u00e7\u0131 Orhan Gencebay, ge\u00e7ti\u011fimiz g\u00fcnlerde hastaneye ba\u015fvurmu\u015ftu. Medicana Zincirlikuyu Hastanesi\u2019nde korona vir\u00fcs \u015f\u00fcphesiyle tedavi alt\u0131na al\u0131nan sanat\u00e7\u0131, tedbir ama\u00e7l\u0131 yat\u0131r\u0131lm\u0131\u015ft\u0131. Gencebay’\u0131n tedavisi tamamland\u0131. Usta sanat\u00e7\u0131, e\u015fi Sevim Emre ile birlikte arac\u0131na binerek hastaneden […]<\/p>\n","protected":false},"author":1,"featured_media":1580529,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1580528","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin"],"_links":{"self":[{"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1580528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1580528"}],"version-history":[{"count":0,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/posts\/1580528\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=\/wp\/v2\/media\/1580529"}],"wp:attachment":[{"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1580528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1580528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.erzhaber.com.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1580528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}